4/9/2024 0 Comments Artistic license or licenceLinda Seger has noted in her book, The Art of Adaptation: Turning Fact and Fiction into Film, there may be ethical and legal considerations involved, especially when portraying recent events and featuring individuals who are still living.) Invented characters may have been added, or the timeline of actual events shortened. Multiple actual characters may have been merged to simplify the storyline and reduce cast size. Even when a dramatic feature is said to be based on actual events, audiences are generally aware that some liberties have likely been taken. From William Shakespeare to Peter Shaffer ( Amadeus) and beyond, history has inspired, but not controlled, artists. What's the difference?Ĭreative (or "artistic") license is generally understood to mean the freedom artists may take when handling factual material. Nonfiction filmmakers can't take creative license with factual stories, but instead must limit their artistry to what media historian Erik Barnouw described as the creative arrangement of factual material. A key area where they differ, however, is that while storytellers working in fiction are free to invent characters and scenarios, those working in nonfiction are not. They both serve audiences that don't want to be preached at or talked down to, and they both seek to enthrall viewers by transporting them to new worlds and bringing them on emotional journeys. As I wrote in an earlier article, Documentary Storytelling: The Drama of Real Life, both groups need to worry about protagonists and antagonists, rising stakes, and viewer investment in the outcome of a story. To explain: Fiction screenwriters have long borrowed documentary techniques, and documentary filmmakers rely heavily on the tools of dramatic storytelling. While these might prove useful, I knew they wouldn't adequately convey the work ahead, or reveal important differences in the scripting process. He didn't know where to start, and was trying to locate some completed scripts to study. Thus, if you’re writing for an audience outside the USA, make sure to pick the right spelling! And if you’d like any help making sure your documents are always error free, get in touch with our expert editors today.A teacher of screenwriting emailed me recently because he'd been asked to write a documentary. However, in British and Australian English, these terms are distinct: In American English, this term is always spelled “license.” This is correct regardless of whether you’re using it as a noun (i.e., a permit) or a verb (i.e., granting a permit). And likewise, American English only uses one spelling here (i.e., “practice” is both a noun and a verb in the US). This makes it similar to “practise” (verb) and “practice” (noun), which are also distinct in British and Australian English. However, when used as a noun, these dialects spell it with a “c” instead: Your e-mail address Subscribe Thank you for subscribing to our newsletter! In British and Australian English, the verb form of “license” is the same: In all cases, though, we spell this word with an “s.” So if you are using American English or writing for a US audience, you will never need to use the spelling “licence.” This only becomes an issue once you move beyond North America… License (Verb) and Licence (Noun) in Other Dialects You can also use it to describe the freedom to do something:Īs a verb, it means either “grant a license” or “give permission or freedom”:ĭuchamp felt licensed to do as he pleased. As a noun, it refers to a document or permit granting permission to do, own, or use something. In the US, “license” (spelled with an “s”) is both a noun and a verb. License in American English (Noun and Verb) Read on to find out how to use these terms correctly in your writing. So, is this just a variant spelling? Or is there a difference between “license” and “licence”? In American English, we always spell “license” with an “s.” But you might also have seen the word “licence” used in places like the UK and Australia.
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